攝影 李佳曄

可以是無題 STILL LIFE 

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傷心就是一種凝視的反應。而傷心是否有力量，端看你是否從此朝向主動理解苦難（也許就在腳底下的）而定。

— 吳明益＜傷心就是一種凝視＞

 

從微觀的生活中，感受到的地震、生活、個體與世界的並置與生存，蘇文琪把這個經驗與感受帶給雲門舞者，以身體描寫選擇，編織出平凡日常的背後全貌。面對各種不同型態的災難，身在臺灣的我們，活在地震帶下，也正似處在板塊與板塊間的摩擦，擠壓在大國與大國間的身份。我們不見身體，卻在這樣的冷戰氛圍下，感受著不確定，不穩定的狀態，既遠又近的危機感對身體造成的衝擊，讓蘇文琪與舞者共同創作出從生活的日常，投射著微小的身體狀態。雖微觀的講述生活，卻更企圖深刻地看向宏觀的世界，提升至對社會與自然的反思，掘其中蘊含的情感。 

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《可以是無題》的部份音樂使用AI模型製作; 口白來自黃柏凱、 張珮湞、蕭樂恩、王鈞弘、侯當立（依順序）

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"Sadness is a kind of response to gazing. Whether Sadness has power depends on whether you actively try to understand suffering (which may be right beneath your feet) from this point onward."

— Wu Ming-Yi, 'Sadness is a Kind of Gazing'

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In daily life, we can sense the coexistence of earthquakes, existence, individuals, and the world. SU Wen-chi brings this experience to Cloud Gate dancers, depicting choices through their bodies, revealing the depth behind routine. 

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Living in Taiwan's earthquake zone, we feel squeezed between tectonic plates and the friction of great powers. Though our bodies may not be visible, in a silent treatment atmosphere, we keenly feel the uncertainty and instability, and the crisis impacts us. SU Wen-chi and the dancers collaborate to depict bodily states, aiming to examine the world deeply, reflecting on society and nature, and unearthing emotions. 

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Still Life features some music generated by an AI model, with voice- overs by HUANG Po-kai, CHANG Pei-cheng, Annette Lyn SHEO, WANG Chun-hung, and HOU Tang-l in sequence. 

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概念及編舞 蘇文琪 

Concept and Choreography: SU Wen-chi 

 

排練助理 陳慕涵 

Rehearsal Assistant: CHEN Mu-han

 

服裝設計 林彥融 

Costume Design: LIN Yen-jung 

 

聲音設計 吳秉聖 

Sound Design: WU Ping-sheng

 

燈光設計 曾睿琁 

Lighting Design: Ray TSENG 

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創作夥伴 周伶芝 

CreativePartner: CHOW Ling-chih

 

共同創作及舞者 

侯當立 黃柏凱 王鈞弘 蕭樂恩 張珮湞 

Co-creation and Dancers 

HOU Tang-l,i HUANG Po-kai, WANG Chun-hung, Annette Lyn SHEO, CHANG Pei-cheng 

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首演於2024年5月25日淡水雲門劇場 _ 春鬥2024 

Premiere on May 25, 2024 at Cloud Gate Theater _ Spring Riot 2024