一當代舞團 YiLab.

 

蘇文琪於2005年成立,團隊創作理念為:「一個作品中沒有唯一的中心媒介,只有看似相同卻又互相衝擊的概念;每位受邀參與創作的藝術家都是一個獨立的個體,皆可獨立創作,自由提出各種觀點以深入作品命題之核心。」創作多結合舞蹈、裝置與新媒體的表演,探索新媒體與身體相關創作議題,嘗試從新媒體的思維中,重新探索表演藝術的可能性,延伸當代藝術面對數位時代衝擊所帶來的提問與省思。

團隊受邀於國內外具有指標性的新媒體與表演藝術節,台灣牯嶺街國際劇場藝術節、台灣國際藝術節TIFA, 台中歌劇院NTT-TIFA, 台北數位藝術節、香港顫。動。感─台灣數位藝術新視野、南韓光州亞洲藝術劇院、法國巴黎Arcadi、南特SCOPITONE 2017、比利時布魯塞爾藝術節 KunstenFestivaldesArts、魯汶STUK當代藝術中心、德國柏林LEAP gallery、波茨坦舞蹈日、葡萄牙里斯本InShadow、希臘卡拉馬塔國際舞蹈節、瑞士日內瓦Mapping Festival、LaBâtie, 澳洲雪梨Performance Space...等。

 

蘇文琪

編舞者, 新媒體表演藝術家, 一當代舞團的創立者。

作品以結合新媒體與表演藝術的概念與形式,嘗試從新媒體的思維裡,重新思索表演藝術的可能性,延伸當代藝術在面對數位科技的衝擊所帶來的提問與省思。她積極地以工作坊、研討會、表演的形式,與本地/國際藝術家與科學家保持創作上的互動與合作,她是台灣國家兩廳院2017年駐館藝術家、歐洲核子研究組織Arts@CERN科學藝術駐村藝術家,現今為美國實驗媒體和表演藝術中心EMPAC駐館研發藝術家 。曾獲第九屆台新藝術獎特別評審獎、2017世界舞台設計展另類設計金獎。

YiLab.

In 2005, SU Wen-Chi founded YiLab. in Taiwan, an experimental group of new media and performance artists working on integrating new technology with the performing arts, and seeking to present new performing formats. YiLab.’s philosophy is: in a work, there is not just one dominant medium, only concepts that appear similar but collide with one another; every artist involved is an independent entity who has his/her own artistic trajectory, can freely put forward their viewpoint and undertake in-depth exploration of the core significance of the theme. 

 

Their performance and exhibition were invited by the festivals / theaters in new media arts and performing arts, such as Gu-Ling St. International Theatre Festival, Taiwan International Festival of Arts, Taipei Digital Arts Festival, National Taichung Theater, New Horizon of Taiwan New Media Art Exhibition (Hong Kong), Asian Arts Theatre (Gwangju), Arcadi Hors Saison (Paris), SCOPITONE 2017 (Nantes), Kunstenfestivaldesarts (Brussels), STUK (Leuven), LEAP Gallery (Berlin), Potsdamer Tanztage (Potsdam), InShadow (Lisbon), Kalamata Dance Festival (Kalamata), Mapping Festival, La Bâtie (Geneva), Performance Space(Sydney)...among others.

 

 

SU Wen-Chi

A choreographer, new media artist and the founder of YiLab.  

Combining the concepts and forms of new media and performing arts, she attempts to rethink the possibilities of performing arts from the perspective of new media, extending the controversy and reflection of contemporary art in the face of the impact of digital technology. She has been actively interacted and cooperated with local and international art communities through workshops, seminars, talks and performances. She was the artist-in-residence in the National Theater & Concert Hall in Taiwan 2017, Arts@CERN / European Organization for Nuclear Research, and is currently the artist-in-research of EMPAC / Experimental Media and Performing Arts Center, Rensselaer Polytechnic Institute, Troy, NY. As one of Taiwan’s iconic figures in this field, SU received the Jury’s Special Award in the 9th Taishin Arts Award and Alternative Design Gold Award in the 2017 World Stage Design Award.